Diane Severin Nguyen
b. 1990, Carson, CA Lives and works in New York, NY

EDUCATION
2019 MFA, Bard College, Annandale-On-Hudson, NY
2013 BA, Virginia Commonwealth University, Richmond, VA


SELECTED SOLO & TWO-PERSON EXHIBITIONS
2026 Powerless, Haus der Kunst, Munich, Germany (upcoming)

WAR SONGS duet, Institute for Contemporary Art at Virginia Commonwealth University, Richmond, VA 

Diane Severin Nguyen × Linda Lach, Gunia Nowik Gallery, Warsaw, Poland

WAR SONGS, The Geffen Contemporary at MOCA, Los Angeles, CA

Diane Severin Nguyen, Fotomuseum Antwerpen, Antwerp, Belgium

2025 WAR SONGS, Performa Biennial, New York, NY

Spring Snow, Galerie Molitor, Berlin, Germany

2024 If I hadn’t created my own world, I would have died in someone else’s, Contemporary Art Gallery, Vancouver, Canada

2023 In Her Time, Rockbund Art Museum, Shanghai, China

Diane Severin Nguyen, La Maison Européenne de la Photographie, Paris, France

2022 IF REVOLUTION IS A SICKNESS, Contemporary Arts Museum Houston, Houston, TX

Diane Severin Nguyen, Huis Marseille Museum of Photography, Amsterdam, Netherlands

IF REVOLUTION IS A SICKNESS, The Renaissance Society, Chicago, IL

2021 IF REVOLUTION IS A SICKNESS, SculptureCenter, New York, NY

Between Two Solitudes, Stereo, Warsaw, Poland

2020 Tyrant Star, Carnegie Museum of Art, Pittsburgh, PA

2019 Reoccurring Afterlife, Empty Gallery, Hong Kong

Dead Slow, Julien Monnerie & Diane Severin Nguyen, Exo Exo, Paris, France

Minor twin worlds, Brandon Ndife & Diane Severin Nguyen, Bureau, New York, NY

Flesh Before Body, Bad Reputation, Los Angeles, CA


SELECTED GROUP EXHIBITIONS
2026 Reupholstered and Undressed, LOMEX, New York, NY

Lost Object, Matthew Brown, New York, NY

The Plantation Plot, KADIST, Paris, France

2025 The Impermanent: Four Takes on the Collection, MoMA Warsaw, Warsaw, Poland

The Plantation Plot, ILHAM Gallery, Kuala Lumpur, Malaysia

It Smells Like Girl, Jeffrey Deitch, Los Angeles, CA

Pigment Compound, P21, Seoul, South Korea

Hope is a dangerous thing, PPOW, New York, NY

my hands are monsters who believe in magic, Amory Center for the Arts, Pasadena, CA

Herausgeforderte Gemeinschaft, Kunstmuseum Magdeburg, Magdeburg, Germany

Aftershock, Podium Gallery, Hong Kong

Musafiri, Das Haus der Kulturen der Welt, Berlin, Germany

The year is XXXX, Nguyen Art Foundation, Ho Chi Minh City, Vietnam

Womb of Fire, Mơ Art Space, Hanoi, Vietnam

2024 Rapture, Galerie Balice Hertling, Paris, France

Shadow Self, Huis Marseille Museum of Photography, Amsterdam, Netherlands

Written on Water, Matthew Marks Gallery, Los Angeles, CA

Even Better Than The Real Thing, Whitney Biennial 2024, Whitney Museum of American Art, New York, NY

Hypnopomp, Canepa Selling, Los Angeles

2023 Trance, Tallinn Photomonth, Museum of Contemporary Art, Tallinn, Estonia

Artist Film Series: Diane Severin Nguyen (Screening), The Museum of Contemporary Art, Los Angeles, CA

MOMENTUM 12: Together as to gather, Galleri F 15, Moss, Norway

40th EVA International, Limerick City, Ireland

IF REVOLUTION IS A SICKNESS (Screening), Kunstnernes Hus, Oslo

Human Is, Schinkel Pavillon, Berlin

2022 Fanatic Heart, Para Site, Hong Kong

Love’s Work, Galerie Molitor, Berlin, Germany

Live Without Dead Time, Ghost 2565 Triennial, Bangkok, Thailand

IF REVOLUTION IS A SICKNESS (Screening), 60th New York Film Festival, New York

Is it morning for you yet?, The 58th Carnegie International, curated by Sohrab Mohebbi, Carnegie Museum of Art, Pittsburgh, Pennsylvania 

Sweet Days of Discipline, Hannah Hoffman, Los Angeles

Transactions with Eternity, Kraupa-Tuskany Zeidler, Berlin

Into the Unknown: Moving Images from the Museum of Modern Art in Warsaw, SALT BEYOGLU, SALT GALATA, Istanbul, Turkey

One hundred eighty-six billion steps to the sun, C L E A R I N G, New York, NY

IF REVOLUTION IS A SICKNESS (Screening), ArPa São Paulo, São Paulo, Brazil

Work and Leisure, curated by Liv Cuniberti and Jeppe Ugelvig, Sala Impasti, Milan, Italy

Fata Morgana, curated by Béatrice Gross, Jeu de Paume, Paris, France

IF REVOLUTION IS A SICKNESS (Screening), Berlin International Film Festival, Berlin, Germany

A Glimpse of the Setting Remains, curated by Giovanna Manzotti, Clima, Milan, Italy

2021 Greater New York, MoMA PS1, New York, NY

Metabolic Rift, Berlin Atonal, Berlin, Germany

So Many Stars, STARS, Los Angeles, CA

Bodies of Water: 13th Shanghai Biennale, Power Station of Art, Shanghai, China

2020 Made in L.A. 2020: a version, Hammer Museum, The Huntington, Los Angeles, CA

Materia Medica, curated by Kelly Akashi, François Ghebaly, Los Angeles, CA

Until tomorrow: Ten Years of Bureau, Bureau, New York, NY

Tyrant Star (Screening), Yebisu Festival, Tokyo, Japan

Tyrant Star (Screening), IFFR Rotterdam, Netherlands

2019 Focus Group, Von Ammon Co., Washington, D.C.

A story forms, Bel Ami, Los Angeles, CA

Tyrant Star (Screening), 57th New York Film Festival, New York, NY

A Fickle Aggregate, Chen’s World, Brooklyn, NY


BIBLIOGRAPHY

2026 Andrew Berardini, ‘Glitter and Doom,’ Artforum, March

María Inés Plaza Lazo, ‘People Watch Movies to Understand History,’ Arts of the Working Class, March

2025 Emily Watlington, ‘Performa Diary: A Year of Sexy Revolutionaries,’ Art in America, November

Travis Diehl, ‘In Defense of Awkward Idealism,’ Spike Art Magazine, November

Johanna Fateman, ‘Party in the U.S.A.? With ‘War Songs,’ Diane Severin Nguyen Asks What Protest Music Really Means,’ Cultured Magazine, October

Hilarie Sheets, ‘Performance Art Wasn’t on Their Radar. But, ‘What if’?,’ The New York Times, October

Humberto Leon, ‘The New ‘Alt’,’ Works in Practice Magazine, October

Whitney Mallett, ‘An Interview of: Diane Severin Nguyen’, AUTRE, October

Aodhan Madden, ‘The New Delicious: Group Portrait Torbjørn Rødland, Diane Severin Nguyen, Yair Oelbaum,’ Spike Magazine, March

2024 Yuka Murakami, ‘The Light Decay of History: Diane Severin Nguyen’s Trilogy,’ Millennium Film Journal, October

Art Critique, ‘The humanity of an actor in “In Her Time (Iris’ Version),”’ Art Critique, May 

Andrew V. Uroskie, ‘WHITNEY BIENNIAL 2024,’ Artforum, May

Coco Zhou, ‘Diane Severin Nguyen: In Her Time (Iris’s Version),’ ArtAsiaPacific, April

Jason Farago, ‘The Beauty and the Cynicism,’ The New York Times, March

Terence Trouillot, ‘The Whitney Biennial’s Quietude Shouldn’t Be Overlooked,’ Frieze, March

Olivia Kan-Sperling, ‘Diane Severin Nguyen: Re-Enactment, Acting, Action,’ Flash Art, March

2023 Zhang Zhihui, ‘Exhibition Review: Critics Pick, Diane Severin Nguyen Shanghai Rockbund Art Museum,’ Artforum China, August

Rosa Boshier González, ‘Pop Politics: Diane Severin Nguyen’s IF REVOLUTION IS A SICKNESS,’ Burnaway, February

Margaret Kross, ‘The 58th Carnegie International Is an Assemblage of Revolutionary Strategies,’ Frieze, January

2022 Do Tuong Linh, ‘TOP TEN,’ Artforum, December

Brittanie Shey, ‘Diane Severin Nguyen finds beauty in K-pop, TikTok, and the immigrant experience,’ Chron, October

Aily Nash, ‘IF REVOLUTION IS A SICKNESS: A Conversation,’ Non-Fiction #4 Peculiar Forms, June

Jennifer Smart, ‘Alien She: A Review of Diane Severin Nguyen at the Renaissance Society,’ Newcity Art, June

Emily Chun, ‘Diane Severin Nguyen’s If Revolution is a Sickness,’ ArtAsiaPacific, January

Domenick Ammirati, ‘Under the Skin of Newness,’ Artforum, January

Benjamin Hirte, ‘Which Revolution?’, Spike Art Magazine, Issue 60, January

2021 Hiji Nam, ‘Revolution, Restaged and Translated: Diane Severin Nguyen,’ Art in America, December

Travis Diehl, ‘Diane Severin Nguyen’s Millennial Revolution,’ Frieze, December

Taylor Dafoe, ‘With Homemade Napalm and K-pop Anthems, Photographer-Filmmaker Diane Severin Nguyen Is Forging a New Genre of Image,’ Artnet News, December

Dawn Chan, ‘What to See in N.Y.C. Galleries Right Now: Diane Severin Nguyen,’ The New York Times, November

Rachel Remick, ‘Diane Severin Nguyen: If Revolution Is a Sickness,’ The Brooklyn Rail, November

Peter Brock, ‘Diane Severin Nguyen’s IF REVOLUTION IS A SICKNESS,’ Art-agenda, October

Kristen Tauer, ‘Artist Diane Severin Nguyen Found Inspiration in K-pop and Poland,’ WWD, October

Lloyd Wise, ‘Portfolio: Diane Severin Nguyen,’ Artforum, October, p. 150-155

Alec Recinos, ‘The Presence of the Perfect Image: Diane Severin Nguyen Interview,’ BOMB Magazine, February

2020 Amanda Waltz, ‘Carnegie Museum of Art highlights local and emerging artists with latest offerings,’ Pittsburgh City Paper, November

Made in L.A. 2020: a version, Exhibition Catalog, Hammer Museum, Los Angeles

Ophelia Lai, ‘Features: Diane Severin Nguyen,’ ArtAsiaPacific, 120, Sep/Oct, p. 60 – 61

Franklin Melendez, ‘Diane Severin Nguyen,’ Kaleidoscope, Issue 36/SS20

Image contribution, Spike Art Magazine, #64, Summer

Adriana Balsamo & Hilary Moss, ‘Savor a Week Full of History and Hope,’ The New York Times, June

Sohrab Mohebbi, ‘Diane Severin Nguyen,’ OSMOS, Issue 20, p. 1 – 7

2019 Dean Kissick, ‘Diane Severin Nguyen’s Images Aren’t What They Seem,’ Cultured Magazine, 30 Under 35, November

Ela Bittencourt, ‘Familiar Yet Strange: Shorts From This Year’s Projection Showcase at the NY Film Fest,’ Hyperallergic, October

Lucas Blalock, ‘Animal, Vegetable, Material,’ Objektiv, Issue 19, June

Todd von Ammon, ‘Diane Severin Nguyen,’ CURA, Issue 31

Kyle Thomas Hinton, ‘To Dirty Them Immaculately...,’ X-TRA, March


PUBLIC ART COMMISSIONS

2023 Not in this life, Contemporary Arts Museum Houston, Houston, TX


FELLOWSHIPS

2023 John Simon Guggenheim Memorial Foundation Fellowship, Fine Arts

Arison Artadia New York City Award


TEACHING

Columbia University (Visiting Critic)

Skowhegan School of Painting and Sculpture (Visiting Artist) 

Cooper Union (Adjunct Faculty)


COLLECTIONS

Whitney Museum of American Art

Carnegie Museum of Art

Hammer Museum

Los Angeles County Museum of Art

MIT List Visual Arts Center

Museum of Modern Art Warsaw

Kadist Foundation

Nguyen Art Foundation

Huis Marseille, Museum for Photography

The Escalette Collection of Art, Chapman University

FRAC Alsace

Museum of Contemporary Art Los Angeles